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1 - But Let's be Careful.mp3
1 - Every Diminished Seventh Chord.mp3
1 - Every Once in a While.mp3
1 - First of All.mp3
1 - I Know What Your Are Thinking.mp3
1 - Let's Take one Such Utterance.mp3
1 - Now Let's Jump Ahead.mp3
1 - Our Lecture Tonight.mp3
1 - Prologue_ _Your Are About to Hear a Latin Version of Oedipus the King.mp3
1 - The Metaphor Arises.mp3
1 - The Other Day.mp3
1 - When I First Wrote Down the Title.mp3
1 - Why Have I Digressed.mp3
10 - Act II_ _Nonn'erubescite, reges_.mp3
10 - And All by Those Progressions.mp3
10 - And Once Again, We Are Back.mp3
10 - At This Point.mp3
10 - But First, What are These Principles.mp3
10 - But What Has All This to Do With Stravinsky.mp3
10 - For Example, Do You Remember.mp3
10 - For Our Purposes.mp3
10 - I Began by Imagining Myself.mp3
10 - I that Luminous Final Triad.mp3
10 - If You Really Have Been Thinking.mp3
10 - Only Think Of.mp3
10 - Playing, That's the Word.mp3
11 - Act II_ _Ne Probentur Oracula_.mp3
11 - And Chopin Well We Can't Ignore Chopin.mp3
11 - And This Is the Essence.mp3
11 - But Does This Stravinskian Game Concept.mp3
11 - But While Restudying this Work.mp3
11 - By Far the Chief Transformational Principle.mp3
11 - Even if You Can Succeed.mp3
11 - I Have Recently Been Reading.mp3
11 - In Fact, the Ending of this Piece.mp3
11 - Musicologists Are Always Pointing.mp3
11 - Now, I Must Point Out.mp3
11 - Tranformational Grammar.mp3
11 - Well, Then I Thought.mp3
12 - Act II_ _Ego senem cecici_.mp3
12 - And Then, in The Same Little Mazurka.mp3
12 - But Bitonality Does Not Only Serve.mp3
12 - But Now Just Think of that Sentence.mp3
12 - Do you Realize.mp3
12 - I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo.mp3
12 - Let Me Show You Briefly.mp3
12 - Let's Make a Simple Analogy.mp3
12 - Look_ Here Is a Joke.mp3
12 - The Twentieth Century.mp3
12 - There Are Three Specific Ways.mp3
12 - We Have Already Referred to Some of Those.mp3
12 - You See, One of the Great Failings.mp3
13 - Act II_ The Witness to the Murder Comes Out of the Shadow.mp3
13 - Chilling, Shattering, Neoclassic.mp3
13 - Foolish Questions.mp3
13 - I. Allegro molto.mp3
13 - II. Scene am Bach. Andante molto moto.mp3
13 - In Any Case.mp3
13 - Maybe Even a Divine One.mp3
13 - Most People Hearing Mozart's Opening.mp3
13 - Now, Having Defined My Usages of Metaphor.mp3
13 - Of Course, Polytonality Can And Does.mp3
13 - Since this is not a Linguistics Class.mp3
13 - This New Episode that Proceeds.mp3
13 - What Do You Do If You Know All This.mp3
14 - Act II _Adest omniscius pastor_.mp3
14 - And Here We Are in Trouble.mp3
14 - But For All These Reasons.mp3
14 - But Where do these Notes Come from_.mp3
14 - For Instance, Hardly Have We Had Time.mp3
14 - II. Andante.mp3
14 - III. Lustiges Zusammensein der Landleute. Allegro.mp3
14 - It's Very Strange, How the Pieces.mp3
14 - Let Me Try to Read You.mp3
14 - Now What's Going On.mp3
14 - So What Your Ask.mp3
14 - Stravinsky's Own Aesthetic Pronouncements.mp3
14 - Take the Passive Transformation.mp3
15 - Act II_ _Nonne monstru rescituri_.mp3
15 - And if You are Still not Convinced.mp3
15 - And While You Are in That Record Shop.mp3
15 - Are We Feeling What Beethoven Supposedly Felt.mp3
15 - Because the Scale.mp3
15 - But Of Course He Was Forced.mp3
15 - III. Menuetto, Allegretto.mp3
15 - IV. Gewitter. Sturm. Allegro.mp3
15 - Listen To This.mp3
15 - Son of Tristan.mp3
15 - This Acoustical Phenomenon.mp3
15 - Well, it hasn't Brought us There.mp3
15 - What Exactly Was This News.mp3
16 - Act II_ And Now You Are Going to Hear That Famous Monolog.mp3
16 - All These Upper Notes.mp3
16 - And Now We Are Finally Ready.mp3
16 - Good - Now Just as Three Notes are Linked Together.mp3
16 - It's Almost Exactly What Happens.mp3
16 - IV. Finale. Allegro assai.mp3
16 - Now You Look at Those First Two Bars.mp3
16 - Of Course, These Asymmetries.mp3
16 - These Ambiguities.mp3
16 - They Began to Intermingle.mp3
16 - V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto.mp3
16 - We Emerge From a Cinema.mp3
16 - We Will Never Know.mp3
17 - Act II_ _Divum locastae caput mortuum!_.mp3
17 - And Then Mozart Appears.mp3
17 - As You Listen to This Finale.mp3
17 - Brutal It May Be.mp3
17 - For Instance, in this Same First Movement.mp3
17 - Literally Translated.mp3
17 - Now let's Go Back.mp3
17 - Now, If We Accept This General Idea.mp3
17 - Of Course, There Are Lots.mp3
17 - The First Overtone.mp3
17 - The Pivotal Point.mp3
18 - Act II_ _Ecce! Regem Oedipoda_.mp3
18 - But More of that Later.mp3
18 - But Notice, Too, that the Example.mp3
18 - But This Eclecticism Knows No Bounds.mp3
18 - In Our Last Lecture.mp3
18 - It's as Though a New Covenant.mp3
18 - Now We Are Ready.mp3
18 - Now, Remember.mp3
18 - So All these Syntactic Transformations of the Same Material.mp3
18 - So There Is a Dramatic Change.mp3
18 - This is Mahler.mp3
19 - Both Works Have Definitive Beginnings.mp3
19 - But Let's Not Make the Mistake.mp3
19 - He Talks About this Sonnet.mp3
19 - Now All This I Had Planned to Tell You.mp3
19 - Now I Wanna Take You.mp3
19 - So it is After All Not So Surprising.mp3
19 - These Are Two Sets.mp3
19 - Trouble is, That the New Musical Rules.mp3
19 - Va-le-di-co.mp3
19 - We All Recognize Antithesis.mp3
2 - Act I_ _Caedit nos pestis_.mp3
2 - And there is Always that Blue Note.mp3
2 - But in the Ensuing Four Bars.mp3
2 - Last Week.mp3
2 - Let's Put it Another Way.mp3
2 - Now Can You Understand.mp3
2 - Now Imagine.mp3
2 - Now the Remarkable Thing Is.mp3
2 - Part of the Danger.mp3
2 - Perhaps the Principal Thing.mp3
2 - Rhapsodie espagnole, M. 54_ IV. Feria.mp3
2 - The First Would Show Us One Meaning.mp3
2 - What About This.mp3
20 - And that's how the Tempered Clavichord.mp3
20 - Because Now it's Time.mp3
20 - During that Decade.mp3
20 - It Can And It Does.mp3
20 - Just Cast An Eye.mp3
20 - Listen As I Play.mp3
20 - Now If You Noticed.mp3
20 - The Kind of Tonal Feeling.mp3
20 - Well, Transformation, Deletion, Embedding, Pronominalization.mp3
20 - You Think That's Funny.mp3
21 - And Again, as in the Poem.mp3
21 - But Now Let's Listen to.mp3
21 - How About That.mp3
21 - I Am Sure I Don't Have to Trouble.mp3
21 - It Was At This Point That I Wrote.mp3
21 - Now That Page of Music.mp3
21 - Now this is a Substantive Universal.mp3
21 - Of Course, There Are Those Who Say.mp3
21 - Prélude à l'après-midi d'un faune, L. 86 (Remastered).mp3
21 - You See, the Music Is Trying Hard.mp3
22 - But the Most Striking Semantic Effect.mp3
22 - Here I Go.mp3
22 - In Fact, it Has Been Authoritatively Suggested.mp3
22 - It Seems Somehow Inevitable.mp3
22 - Listen to the Whole Exposition.mp3
22 - So That Instant in Musical Time.mp3
22 - Some Crazy Modern Music.mp3
22 - Then Came the Answer.mp3
22 - What Interests Me About It.mp3
23 - But Why This Particular Misalliance.mp3
23 - Development Coming Up.mp3
23 - I Have Asked Myself.mp3
23 - Is it Possible.mp3
23 - Is There Possibly the Beginning.mp3
23 - Now Romeo Is All Stirred Up.mp3
23 - This New Aesthetic Relaxation.mp3
23 - We Can Expand the Idea.mp3
24 - 1. Roméo Seul_ Tristesse - Bruits de Concerts et de Bal - Grand Fête chez Capulet_ Andante malinconico e sostenuto.mp3
24 - And What About Beethoven's Nineth.mp3
24 - Even Some Germans.mp3
24 - I Became so Fascinated.mp3
24 - It's As Tough in the Period.mp3
24 - My Words Are Poor.mp3
24 - The Circle of Fifths Again.mp3
24 - What Do You Suppose.mp3
25 - Allegro - Larghetto espressivo - (Instrumental).mp3
25 - And I Believe.mp3
25 - And That Was all One Single Sentence.mp3
25 - These Are Some of the Problems.mp3
25 - What' Seriously Striking.mp3
25 - You Can See How the Transformation.mp3
26 - Allegro - (Instrumental).mp3
26 - Chomsky Himself Gives a Classic Example.mp3
26 - So Why the Pastorale on this Lecture.mp3
27 - Let's Begin at the Beginning.mp3
27 - Réunion des duex Themes, du Larghetto et de l'Allegro (Instrumental).mp3
27 - Very Important, the Ironic Element.mp3
28 - But What of the More Obvious Melodic Material.mp3
28 - So, It Would Seem.mp3
28 - What a Piece.mp3
29 - But This Neoclassic Approach.mp3
29 - But to Develop How.mp3
29 - Quite Unconsciously Borrowed.mp3
3 - Act I_ _Liberi vos liberabo_.mp3
3 - Amen, says Noam Chomsky.mp3
3 - And This Is What Gives Tristan.mp3
3 - But Even these Twelve Tones.mp3
3 - But That's Not the Main Event.mp3
3 - First of All, Berg Chose a Tone Row.mp3
3 - I Am Plaguing You With this Question.mp3
3 - Let Me Start.mp3
3 - Now Let's See.mp3
3 - The Idea of Ambiguity.mp3
3 - Think of this Famous Passage.mp3
3 - Untermeyer Called This.mp3
3 - What a Way to Enter the Twentieth Century.mp3
30 - I Think This Is Again a Moment.mp3
30 - My Purpose In All This.mp3
30 - Now We Have an Insight.mp3
31 - But Wait.mp3
31 - Is It, Says Wagner.mp3
31 - It's the Essence.mp3
32 - But Why Were Just Those Two Notes Added.mp3
32 - If This Poem Were Rewritten.mp3
4 - A Linguist Would Say.mp3
4 - Act I_ _This is Creon, Brother-In-Law of Oedipus.mp3
4 - But 1908, if the Truth to be Told.mp3
4 - I Suppose What Chomsky is Really After.mp3
4 - I Trust You Realize.mp3
4 - Mozart's G Minor Symphony.mp3
4 - Of Course What he is Really Talking About.mp3
4 - Of Course, With the Waste Land.mp3
4 - Prelude and Love-Death (From _Tristan and Isolde_).mp3
4 - Similarly, in Our Second Lecture.mp3
4 - So, All in All.mp3
4 - This is Not Just a Sentimental Anecdote.mp3
4 - Well, That's the Beginning.mp3
5 - Act I_ _Respondit Deus_.mp3
5 - And Again Comes a Great Leap.mp3
5 - Berg_ Violin Concerto (Excerpt).mp3
5 - But It Was Precisely.mp3
5 - But the Thing of It All Is.mp3
5 - From this Time.mp3
5 - Now Our Job is.mp3
5 - So, Let's Pull Up Our Socks.mp3
5 - That May be the Slowest Performance.mp3
5 - That's One of the Questions.mp3
5 - Then What's the Magic Secret.mp3
5 - These Troubling Presentiments.mp3
5 - Well, I Replied, Chomsky Would Say.mp3
6 - Act I__ Oedipus Questions the Fountain of Truth.mp3
6 - All Right, Let's Try Another One.mp3
6 - But How do we Investigate.mp3
6 - But Ultimately.mp3
6 - Enough of Ambiguity.mp3
6 - Fantastic.mp3
6 - Now I Have Just Used Two Words.mp3
6 - Now this Means.mp3
6 - Of Course, That Last Metaphorical Leap.mp3
6 - So, now in 1908.mp3
6 - That Introductory Accompaniment.mp3
6 - This Interference of the Two Frequencies.mp3
6 - We Are Going to Hear.mp3
7 - Act I_ _Dicere non possum_.mp3
7 - But What Are We to Say.mp3
7 - In Fact, It Was Satie, Picasso, and Cocteau.mp3
7 - It Comes at a Point.mp3
7 - Now You Can See.mp3
7 - One Has Only Learnt to Get.mp3
7 - Poetry Has Begun to Show.mp3
7 - Terrific, Said My Blonde Inquisitor.mp3
7 - The Irony of All This.mp3
7 - This Is Atonality.mp3
7 - This Is Not to Say that There Were No Drastic Changes.mp3
7 - What Does this Three-Note Design Mean.mp3
7 - Why Am I Taking Your Time.mp3
8 - A Charming Idea.mp3
8 - Act I_ _Gloria!_.mp3
8 - And When Debussy.mp3
8 - Berg_ Violin Concerto_ II. Allegro, ma sempre rubato -.mp3
8 - But Meanwhile we are Still in the Golden Age.mp3
8 - But Our Scene.mp3
8 - But, Mind You.mp3
8 - In Fact, When You Think of the Number.mp3
8 - It Is To Be Found.mp3
8 - Now I propose Only Because.mp3
8 - The Reason I Pick Symmetry.mp3
8 - Universality is a Big Word.mp3
8 - Well Then.mp3
9 - Act II_ The Dispute of the Princess Attracts the Attention of Jocasta.mp3
9 - All Right, First Let's Look Briefly.mp3
9 - Even in the Most.mp3
9 - I Think it Follows.mp3
9 - If This Particularly Demanding Lecture.mp3
9 - It's Lovely, This Dreaming.mp3
9 - Now From Here On.mp3
9 - Now That's One Way of Looking.mp3
9 - Other Linguists.mp3
9 - So, we're in the Midst of a Chromatic Adventure.mp3
9 - The Unanswered Question.mp3
9 - This Union Is Possible Only Because.mp3
9 - Where Music Was Concerned.mp3