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01 - Music_ Folias (Imperfectas) [Harp].mp3
02 - Narration I (1)_ _By Her Mere Presence, Folly Dissipates the Cares of her Audience_.mp3
03 - La Folia_ _Yo Soy La Locura_.mp3
04 - Narration III (2)_ _On How Folly Is Prompted to Sing her Own Praises_ _ Music_ Passamezzo Antico.mp3
05 - Narration VII (3)_ Folly’s Origins.mp3
06 - Recercada quarta sobre la Folia.mp3
07 - Narration VIII (4)_ _Her Birthplace, Her Infancy_ _ Music_ Folias de la costa (Harp).mp3
08 - Narration IX (5)_ _Her Followers_ _ Music_ Folias de la costa (Cont.).mp3
09 - La Gamba In Basso, E Soprano (1564).mp3
10 - Narration X (6)_ _Folly’s Claims to be Admitted to the Council of the Goddesses _ Music_ Romanesca.mp3
11 - Folía_ _Rodrigo Martinez_ (From the Villancico of C. M. Palacio No. 12).mp3
12 - Narration XI (7)_ _On How She Perpetuates the Human Race_ _ Music (Cont.)_ Folía_ _Rodrigo Martinez_ (From the Villancico of C. M.mp3
13 - Narration XII (8)_ _On How She is the Source of Happiness in Life_ _ Music (Cont.)_ Folía_ _Rodrigo Martinez_ (From the Villancico.mp3
14 - Si habrá en este baldrés (C. M. Palacio No. 179).mp3
15 - Narration XIII (9)_ _Of the Connection Between Folly and Childhood and the Second Childhood of Old Age_ _ Music_ Las Vacas (Improv.mp3
16 - Diferencias Sobre Las Vacas (Anonymous Improvisation) [C. M. Medinaceli].mp3
17 - Narration XIV (10)_ _On How She Prolongs Infancy and Halts Old Age_ _ Music_ Folías antiguas (C. M. Palacio No. 121).mp3
18 - Narration XVI (11)_ _Of Folly’s Pre-Eminence in the World_ _ Music_ Harke, harke (Gamba Viol).mp3
19 - Browning my Dear.mp3
20 - Narration XIX (12)_ _Folly Is Necessary to Friendship_ _ Music_ Belle qui tiens ma vie (Harp Improvisation).mp3
21 - Narration XX (13)_ _There Is No Lasting Marriage Without the Complicity of Folly_ _ Music (Cont.)_ Belle qui tiens ma vie (Harp Im.mp3
22 - Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94).mp3
23 - Narration XXI (14)_ _Folly Is the Blessing of Human Society_ _ Music_ Paduana del re (Mss Venezia).mp3
24 - Todos los buenos soldados (La Guerra).mp3
25 - Narration XXIII (15)_ _She Inspires Warfare_ _ Music_ Pavana La Battaglia.mp3
26 - Narration XXV (16)_ _Of the Inferiority of Wisdom in all of Life’s Circumstances_ _ Music_ Vederlo (Improvisation).mp3
27 - Narration XXVIII (17)_ _She Is the Mother of the Arts_ _ Music_ My Lady Carey’s Dompe _ Danse Tune English Tradition (Harp).mp3
28 - Saltarello (Mss. Venezia).mp3
29 - Narration XXIX (18)_ _She Claims the Credit for True Wisdom_ _ Music_ Las Vacas (Harp Improvisation).mp3
30 - Narration XXX (19)_ _On Folly as a Guide Towards Wisdom_ _ Music_ Pavana con su Glosa.mp3
31 - Narration XXXII (20)_ _Of the Relationship Between Folly and Ignorance_ _ Music_ Desperada (Elizabethan).mp3
32 - La Spagna (XVth Century).mp3
33 - Narration LV (21)_ _Folly of Kings_ _ Music_ Las Vacas (Romanesca).mp3
34 - Narration LVII – LIX (22)_ _Folly of Bishops, Cardinals and Supreme Pontiffs_ _ Music_ Estas noches a tan largas (Instrumental - C.mp3
35 - Narration LXVI (23)_ _Relationship Between the Christian Religion and Folly_ _ Music_ Patres nostri peccaverunt (C. M. Montecassin.mp3
36 - Narration LXVII (24)_ _Folly is the Sovereign Good_ _ Music_ Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434).mp3
37 - Diferencias Sobre ‘Las Vacas’ (Harp).mp3
38 - Narration LXVIII (25)_ _Farewell to the Reader_ _ Music_ Folias Portuguesas (Harp).mp3
39 - Villancico (Égloga 6)_ Hoy comamos y bevamos (C. M. Palacio No. 174).mp3